Each in their own “square”: between the symbolic, the political, the psychological"

Abstract

In this article, analyzing the Ana’s work that unfolds between the symbolic, the political, and the psychological, and taking the artistic body, in its discursive materiality as the corpus, we seek to understand the processes of subjectivation in relation to the processes of signification of a singular subject and, at the same time, a historical subject, bringing together issues related to social class, racism, and sexism in a colonized country which is marked, in its peripheral capitalist social formation, by the enslavement of indigenous people and blacks, to be considered in the historical process of Brazilian education, where Education, Science, and Society are articulated.